The nanonanofilm Improv Comedy Podcast

Once I've articulated my vision and what I want my show to look like, can I get buy-in from the other improvisers?

I've recently faced some challenges on articulating how I want a particular show to look and feel. How do I communicate this and get buy-in from fellow improvisers?

I've been trying to deepen my connection between all characters on stage collectively. How can I do this with improvised objects?

We're told not to say "no" when we're starting to perform improv scenes, but what happens when we say "no" in real life situations and how does this compare to improv?

How can I get better at being an active participant from a backline?... and can I draw another kids' football analogy? (Yes, I can!)