But What Do I Know

CHANEL

On this episode, we break down some of the biggest conversations in Afrobeats right now. From the Blaqbonez and Odumodu situation, to the rapid rise of CHANEL, BET nominations, and the debate around whether Nigerian artists should be more vocal about the state of the country. We also compare Asake’s M$NEY and Omah Lay’s Clarity of Mind, discuss Qing Madi’s latest EP, and look at the current trajectories of artists like CKay, FOLA, Boy Spyce, Kunmie, and Zerry DL. A packed episode full of strong takes, music debates, and culture conversations. Tap in. * Did Odumodu drop Motion Sickness to stop Blaqbonez’s momentum? * Blaqbonez’s CHANEL became one of the biggest songs of the year in just days * Should Nigerian artists speak up more about the state of the country? * After Adekunle Gold, Seyi Vibez now turns his attention to attack Zlatan online * Asake’s M$NEY is easier to revisit than Omah Lay’s Clarity of Mind * BET nominations are in: Tems, Tyla, Burna, Wizkid and Asake lead the conversation * Tiwa Savage looks like she’s searching for a hit song * Is Kunmie the new face of Nigerian R&B? * Does a FOLA feature still hit the way it did last year? * The Uzama brothers need to drop the joint project already * Odumodu’s Motion Sickness is great but sounds a lot like They Love Me * Qing Madi’s new EP is loaded with quality and standout features * Asake linking up with Uncle Waffles for tour makes perfect sense * Boy Spyce gets more hate than his music deserves * Victony’s Fresh is finally on the way after months of anticipation * CKay’s music feels more watered down with every release * There’s nothing exciting about Zerry DL’s music right now * EEskay and Erigga’s joint project could be one to watch

The BIG 3 feat. KONTENT SENSEI

On this episode, we’re joined by Kontent Sensei for a packed conversation covering some of the biggest talking points in the culture right now. We debate the idea of removing someone from the Big 3, discuss the next generation Big 3 conversation involving Tems, Asake, Rema and Ayra Starr, and break down recent releases from Wizkid, DJ Tunez, BNXN & Sarz, Olamide, and more. We also get into artist momentum, branding, scandals, rollout strategies, and the changing landscape of Afrobeats today. * If one person had to leave the Big 3, it definitely can’t be Davido * Tems, Asake, Rema & Ayra Starr, who misses out on the new Big 3? * Seyi Vibez taking shots at Adekunle Gold caught people off guard * Does Chike’s career take a hit from the recent scandal? * Kizz Daniel planning two albums in 2026 sounds ambitious * DJ Tunez & Wizkid’s State of Mind didn’t hit like people expected * Does Wizkid need to start dropping singles without DJ Tunez? * What’s actually Asake’s biggest song? * The BNXN & Sarz tape is good, but the title promised more * Rybeena might actually be bigger than TML Vibez right now * Is TML Vibez underrated? * Olamide’s Rock Me Gentle might be a rare miss * Falz’s Omoge quietly picked up momentum on social media * Stylized artist names make music harder to discover * Adekunle Gold’s Fuji XTRA elevated the original concept * Seyi Vibez’s Fuji Moto came and went too quickly * Smur Lee’s Afghanistan album feels too one-dimensional * BKAY EASTGAAD and Blaqbonez linking up was longoverdue

MR M$NEY BACK OUTSIDE

On this episode, we dive into some of the biggest conversations in Afrobeats right now. We discuss the tension between DJ Tunez and Davido online, reactions to Asake’s M$NEY, and why Omah Lay still might have the best album released this year. We also get into Wizkid’s catalog, Zinoleesky leaving Marlian Music, BNXN & Sarz’s standout collaboration, and broader conversations around labels, fan culture, and artist runs. A packed episode with plenty of strong takes, tap in! * DJ Tunez and Davido throwing subs at each other got people talking * Asake’s M$NEY didn’t live up to the hype * Omah Lay still has the best album released this year * Made In Lagos might be Wizkid’s best album, but Superstar is his most iconic * Zinoleesky leaving Marlian Music feels long overdue * Nigerians weren’t feeling Fat Joe’s comments about Buju BNXN * BACK OUTSIDE by BNXN and Sarz is one of the best songs of 2026 * Olamide is quietly on another crazy feature run * Besides Davido, DMW just doesn’t hit like it used to * Are we even getting the Headies this year? * Qing Madi is having troubles with her old label * GoodGirl LA and her label part ways * Dremo was never really that big in Nigerian music * Ice Prince’s new album is solid, but there are definitely skips * Not every fanbase needs a name * Angélique Kidjo’s new album shows how to make African music global * Davido’s Top 10 songs

OGBAFIA DEY FOR GROUND

On this episode, we dive into some of the biggest conversations in the culture right now. We talk Burna Boy’s recent situation with DJ Tunez, Omah Lay’s Clarity of Mind, and Blaqbonez’s creative rollout approach. We also get into Rema’s evolving sound, Ayra Starr’s direction, and why some artists might be losing audience attention. Along the way, we break down standout performances, recent collaborations, and broader conversations around where Afrobeats is heading today. TAP IN! * Burna Boy allegedly attacked DJ Tunez, what really happened? * Is Clarity of Mind already the best album in Omah Lay’s catalog? * Zaylevelten might not even qualify for Rookie of the Year at the Headies * Burna Boy already has two certified classic albums * Blaqbonez turning diss vocals into a beat challenge is next level * Rema’s new sound seems to be getting trippy, almost Juice WRLD-esque * Ayra Starr’s “lamba” side might be better than her R&B bag * Wande Coal’s Dearly is one of the best songs of 2026 so far * Deto Black stood out on Spinall’s new track with Mavo * Olamide sounded like 2015 Olamide on Adekunle Gold’s new track * Ayra Starr’s new direction won’t stop her from dropping hits * Qing Madi shows real versatility on her new track with Zinoleesky * Boy Spyce still seems stuck between sounds and identity * Fido’s new drop isn’t bad, people just don’t care anymore * Elestee might have been dropped by Mavin, what happned there? * Fally Ipupa and Wizkid should’ve dropped a collab years ago * Taves, Azanti and Tay Iwar on one track would be a problem * Elestee’s music still needs to level up * Yemi Alade and Spyro’s collab felt corny and underwhelming * The Machine Is Coming might actually be better than Industry Machine * Women in Afrobeats still struggle with strong stage names * You can still miss great songs in today’s oversaturated market

Clarity Of Mind feat. Dark Phoenix

On this episode, we’re joined once again by Dark Phoenix, making her the first returning guest on the podcast. As a music video producer, she brings a unique perspective on both the creative and business side of the industry. We dive into some of the biggest conversations right now — Tems vs Tyla, Asake’s upcoming run, Omah Lay’s Clarity of Mind, and the ongoing situation between Mr Eazi’s company and Bad Bunny. We also touch on emerging sounds, artist positioning, and how culture is shaping the direction of music. * Is Tems a bigger artist than Tyla right now? * Tyla is more likely to win over any African artist in a major U.S. award * Asake might drop the best Afrobeats album in 2026 * Boy Alone was better than Love, Damini * Is 2Baba the greatest songwriter in Nigerian music? * P-Square vs 2Baba * Ice Prince is an icon, but not a legend * Omah Lay’s Clarity of Mind is solid, but not “best in 20 years” level * Is Clarity of Mind just Omah Lay easing out of Keyqaad? * WELCOME 2 THE VILLE might be better than YP & Azanti 2 * Boy Spyce tried a conscious lane, but it didn’t feel authentic * Mr Eazi’s emPawa vs Bad Bunny * Wizkid remains the most awarded African artist at the MOBOs * The Homecoming lineup felt too niche, not for everyone * Is it fair that people say Fola and Shoday make “lash tech” music? * Shoday is getting bigger bags than Fola right now * Shoday isn’t touching Kizz Daniel’s level yet