Bond By Numbers

Hundreds of hours in the 007 podcast mines have led to innumerable highlights and five wonderful seasons of Bond by Numbers. Now our mission is coming to an end. In this, our 100th and final episode, we invite you to look back with us over the terrain of our assignment and share in the celebration of closing the BBN dossier.

Our final "What If?" show considers the wild ride that would have been if three of Pierce Brosnan's outings had been adapted in the Golden Age of Cinema! From pirate musicals to Marshall Plan extortion, we've got the craziness covered as we rewrite, recast and redesign Bond for the 1930's, 40's and 50's!

Pre-Title thrills are unique DNA for 007 films. Without them, it's hard to imagine the franchise as we do. In this episode, we resurrect our "rank-a-thon" from its slumber and try to calculate a clean line through all the Bondian preludes.

Our final selection for the "3 Non Bonds" festival is the WW2 thriller, "Eye of the Needle" from 1981. Donald Sutherland stars as Faber, aka "the Needle", Hitler's premiere stiletto-wielding spy in England, who is racing to deliver news of the imminent Normandy invasion. But complications arise when he's thrown off course as he tries to flee and ends up shipwrecked on Storm Island. There he meets an estranged couple, Lucy and David (Kate Nelligan and Christopher Cassenove) who stand in his way of completing the job. Directed by Richard Marquand (who earned George Lucas' respect and the seat on "Return of the Jedi" for his sharp work here), "Eye of the Needle" is governed by a cool, quiet confidence and boasts some strong performances and memorable locations. But will it pass the triple-agent scoring? Grab your anoraks and step on-board with us to find out - the good ship BBN takes one final voyage in Non-Bond waters!

After bringing us Ronin, The Quiller Memorandum and The Bourne Identity in previous years, 00-Chapman returns to the "3-Non Bonds" stage for one final showcase. This time, Harry Saltzman's 1965 thriller, The Ipcress File, is under investigation. Deemed by some an "anti-Bond" film for its calculated, artistic economy and unlikely hero, this jazzy spy thriller nevertheless had a good helping of James Bond talent behind the camera. The creative fingerprints of Ken Adam, John Barry, Peter Hunt and Norman Wanstall are all on show throughout this Michael Caine caper, set amidst the cool gloom of a not-yet swinging London.