Produciendo con Julio Monroy

The Mindset Behind Mixing - Michael Brauer & Julio Monroy

In this episode, we spoke with Michael Brauer, Grammy-winning mixing engineer known for his work with artists such as Coldplay, John Mayer, Bob Dylan, Aretha Franklin, The Rolling Stones, and many more. We explored his journey in music, his approach to mixing, and the mindset behind his signature sound. We also talked about his passion for cycling, his experience in competition, and how discipline, focus, endurance, and creativity connect these two worlds. From iconic records to life on the bike, this conversation was about craft, obsession, and the pursuit of excellence.

Así mezclaron a Michael Jackson en Dolby Atmos con Carlos Rodgarman, GENELEC y Julio Monroy

🎧 Cómo se mezcla a Michael Jackson en Dolby Atmos con monitores GENELEC Entrevistamos a Carlos Rodgarman, uno de los ingenieros de mezcla más reconocidos del mundo hispano, quien nos abre las puertas de un proyecto histórico: la remezcla en Dolby Atmos de la discografía del Rey del Pop, un trabajo realizado junto al legendario Humberto Gatica (productor e ingeniero ganador de múltiples premios Grammy).Carlos nos cuenta de primera mano cómo fue enfrentarse a estas grabaciones míticas, qué decisiones creativas tomaron para llevar la música de Michael Jackson al formato inmersivo, y por qué el sonido espacial está cambiando para siempre la manera en que vivimos la música.El proyecto se finalizó en los estudios CLAND (Ciudad de México), uno de los espacios de referencia para producción de audio inmersivo en Latinoamérica.🔊 Este contenido es posible gracias a Genelec, marca líder mundial en monitores de estudio y referencia obligada en salas certificadas para Dolby Atmos alrededor del planeta.🎙️ En esta entrevista descubrirás:✔️ Cómo se aborda una mezcla en Dolby Atmos partiendo de cintas originales✔️ La visión artística y técnica detrás del trabajo✔️ Anécdotas de la colaboración con Humberto Gatica✔️ El papel del monitoreo Genelec en una mezcla inmersiva de este nivel

Eclipsa Audio and Youtube - Julio Monroy & Claus Trelby

We talked with Claus Trelby from Marshmellow Skies Recording Studios about Eclipsa and its new integration with YouTube. This conversation opened up an important discussion about the future of immersive audio, and how spatial listening is becoming more accessible for everyday creators and audiences—not only for specialized studios or high-end playback systems. As YouTube continues to become part of the immersive audio ecosystem, we explored what this means for producers, engineers, artists, and the future of music consumption. In this conversation, we discussed why Eclipsa could become a key tool in the next chapter of audio production.

Non-Conventional Recording Methods - Julio Monroy & Sylvia Massy

We had the privilege of speaking with Sylvia Massy, acclaimed producer, engineer, mixer, and author, widely recognized for her bold creative approach and unconventional work in the studio. Throughout her career, she has worked with legendary artists such as System of a Down, Tool, and Johnny Cash. In this conversation, we explored her career, her discography, and the many ways she brings artistry, experimentation, and versatility into everything she does. It was a truly special conversation with one of the most original minds in modern music production.

A Closer Look at Eclipsa Audio - Scott Kramer & Julio Monroy

We were joined by Scott Kramer, a seasoned mix technician, supervising sound editor, and re-recording mixer for film and television, with credits that include Twilight and Mozart in the Jungle. He later moved into the studio side at Netflix, where he helped lead sound initiatives and collaborated with audio developers, post-production managers, and creative executives at one of the world’s largest content studios. In this conversation, we explored Eclipsa Audio, the immersive 3D audio format developed by Samsung and Google and built on the open IAMF standard. Eclipsa Audio is designed to create a more spatial and immersive listening experience by placing sound around the listener in a three-dimensional field. We talked about what it is, why it matters, and what it could mean for the future of audio in film, television, and streaming.